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The Slavic Chippendales by Agnieszka Rayss
It looks a bit like a construction site: the red-and-white striped tape that separates the couple as they tentatively embrace. Which is the correct interpretation in a certain sense, because this is not really a “united ” couple. And so the construction-site tape really just underscores the meaning of this love: it is a “work in progress”. In any case it all amounts to the same thing: love is always a lot of work plus a bit of show, and the show is always more than appears on the surface; it’s always a projection of closet desires. In the present case the number might be called: muscleman and girl from the audience. It is no disadvantage that an embrace is the central and key element in multiple form. On the contrary: often proximity has the most to tell us about dormant distance, regardless of how it is interpreted. Sometimes the naked beau of the Polish erotic male dance ensemble Models FX holds his female fan tenderly in his arms before martially spinning her around. This is Eros as an adrenalin acrobat in a well-oiled macho costume. But that doesn’t make it a model of morality, rather an indication of the power that the world of superficial media images has always possessed. For many years Poland was spared the high-gloss media of voyeurism. Thus when the country was finally exposed to the rainbow palette of consumerism, it sucked the colours up like a dry sponge. Love from the days of a planned economy finally discovered the real article: the dream man.
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EXCLUSIVE!
